CONCERTS
March 29th, 9:15 p.m.
The Leopoldina Theatre
DIEGO CAMPAGNA
“ALLEGRO CON BRIO” string quartet
Diego Campagna (Italy) - guitar
Massimo Merone (Italy) - violin
Valentina Garofoli (Italy) - violin
Giulia Bernardini (Italy) - viola
Michele Lanzini (Italy) - cello
Francesca Angotti (Italy) - Bailaora
The guitar meets the string quartet in a rich mix of sounds and nuances.
March 30th, 9:15 p.m.
The Leopoldina Theatre
DOMENICO MOTTOLA
Winner of the MIGC-2019 Mantovani International Guitar Competition
The recital of one of the most interesting young Italian virtuosos on the international scene.
March 31st, 9:15 p.m.
The Leopoldina Theatre
MIGC-2022 WINNERS CONCERT
The three winners of the International Competition compete live to win the audience prize
April 1st, 9:15 p.m.
The Leopoldina Theatre
TRIO CANTIGA-BAILE
Philippe Villa (Francia) - guitar
Anastasia Maximkina (Russia) - guitar
Anna Sinelshchikova (Russia-Danse, Castanet
The "Cantiga-Baile" Trio with the show "Con Fuoco" combines the virtuosity of 3 musicians and a dancer and castanet specialist who revisit the Spanish and classical repertoire
April 2nd, 5 p.m.
Magma Museum
DUO MASINI-COSTANTINO
Roberto Masini (Italy) - guitar
Simona Costantino (Italy) - guitar
A guitar duo that plunges into the world of dance understood as a musical form, between ancient and modern.
April 3rd, 5 p.m.
The Leopoldina Theatre
CONCERT ENSEMBLE STUDENTS
The various music schools present the most deserving students who will perform in the orchestra formed specifically for this event.
April 3rd, 9:15 p.m.
The Leopoldina Theatre
DUO TALISMÁN
Laurent Boutros (France) - guitar
Julieta Cruzado (Argentina) - dance
The great suggestions of dance accompanied by the sound of the guitar, to evoke sounds from cultures around the world.
April 5th, 9:15 p.m.
The Leopoldina Theatre
"LE CONSONANZE" guitar quartet
Alessandro Nobili (Italy) - guitar
Dario Atzori (Italy) - guitar
Giacomo Brunini (Italy) - guitar
Marta Marchetti (Italy) - guitar
A journey that leads you across epochs and places through the repertoire for a flexible formation, between original compositions and famous transcriptions.
