"...he is a concert performer who has left a vivid impression with his technical qualities and a sonund that is not only soft,but also transparent...” Osamu Sonobe,  Genday Guitar, Tokyo  (Japan)

"...I wish Fabio Montomoli continues to gow keeping the fresh musical expressiveness and the natural and clear interpretation particularly perceived in his performances of contemporary music,all accompanied by a brilliant technical base...” Toguchi Kousaku (musical critic, Tokyo) (Japan)

"...his repertoire is unusual and his approach is personal and deeply felt...” Eliot Fisk guitar ’s Professor at  Mozarteum di Salisburgo (Austria)

"... his expressive ability and his great human sensibility, together with a sure techique, see to it that the virtuosity doesn’t exclude the music but, on the contrary, the two things complete each other along the sublime way of music...” Joaquin Clerch-Diaz, guitar’s ProfessorConservatorio di Dussendorf (Germany)

“... it is rich of feelings the perfomance of the Italian guitar player Fabio Montomoli who has araused many emotions at Gitarrenfestival...” Roger Maresch,   Salzburg Woche  (Austria)

"...he has aroused great enthusiasm among a great number of spectators...Fabio Montomoli proved a real talent creating an atmosphere of deep concentration, communicating to the audience the serenity and the emotion of the guitar performance” Roberta Galanti    Il Tempo (Italy)

“... Fabio Montomoli has executed a powerful performance, different in its various aspects... Turina’s music has proved beautiful, brillant, rhytmically accented and rich in Spanish feelings...” Uta Norpoth, Passaver Neve Press (Germany)

“... great success of the concert of duo Montomoli-Mazzini at St.Thomas Churc in Tyro...into the presence of the Italian Ambassador and of all authorities we have watched a high music level concert...” Joseph Diban, La Revue du Liban (Libano)

“…Montomoli’s performances are marked by an extremely clear phrasing, elegant and faithfully inspired to the Spanish tradition, as the frequent rasgueados and the scales impeccably executed like…” Riccardo Rocchi, Chitarre classica n.17 (Italy)

“… accompanied by the Agorà Quartet, the well known Fabio Montomoli has performed with sensibility and great professional qualification the pieces by Vivaldi, Boccherini, and the Concert op.30 by Mauro Giuliani, showing a great expressive ability…” Il Resto del Carlino (Italy)

“…he shows a perfect mastery of the instrument that allows him to obtain a phrasing always in accordance with every philology execution…Fabio Montomoli can alternate moments of deep dramatic force and moments of calm with warm and sensual sonorities that create a complete participation of the audience in every concert.” Strumenti e musica (Italy)

“…Fabio Montomoli has risen towards the highest skies giving his best in Ciaccona Part n.2 by J.S Bach… a memorable concert …La Gazzetta del Sud (Italy)

…he exposed the main theme with delicacy and sweet harmony...Complying to dance character he made the melody come out with rhythmic stress always laid down with flowing accompanying vocals…lively, clear, focused, brilliant and transparent, F.M performed sonatas by Domenico Scarlatti, during which he knowledgeable illustrated with many little melody blooms and harmonic modulation with impeccable clarity…happiness, pain and excitement in the Fantasies of opera themes by Rossini…we could hear perfect passion lament, virtuous chromatic passages,… the guitar began to sing Neapolitan songs a little dreamy and melancholic, cheerful or riotously impetuous...the vehement final applause gave the audience wonderful encores…” Angelica Kannenberg “Wolfsburger Nachrichter” (Germany)

Montomoli’s guitar is enchanting, with magical sounds.”.a fabulous guitar concert..its repertoire of sounds seems inexhaustible…he plays highly differentiated with a perfect harmony of melody and with a particularly tended accompaniment...he makes the idle lyrics of his instrument shine with mystic light, the melody lines are exposed with wide harmony…his guitar sings with a flow of magnificent free longing, and refined shades of time weaving a sonorous image with elevated clearness...Montomoli is a musician who not only knows what is emotionally felt but also what he is playing. With “Sevilla” from the Spanish suite Montomoli starts the virtuous page of his art, the impetuous and quick passages, the powerful accords, the finely revised accompaniment voices ……”Werner Weckbach ’Pressespiegel Heidelberg’ (Germany)

The guitarist Fabio Montomoli has offered multiplied melodies to his guitar with deep sentiment, sustained by a perfect technique and a “ tied” flow. Through a rich expressive scale with the finest tinges he spell bound his spectators who carefully followed his performance. The mandolin similar accompaniment, the vibrate effects and the perfect harmonious melody favourable impressed his listeners. The audience, charmed by his wonderful performance of music pieces, warmly applauded the artist, which was then followed by two extra pieces out of programme...”Alfred Eichhorn ’ Hersbrucker Zeitung ’ (Germany)

“….. the challenging sonatas by Scarlatti have been performed by Fabio Montomoli with temperament, with the joy of Mediterranean life shining through….. in the Rossiniana by Mauro Giuliani, Montomoli’s interpretation highlights the drama and lightness of this Italian work of art  and its raging finale really leaves the great stage to your imagination…..Montomoli’s interpretation is completely twisted with emotions in Elegia by Mertz…. Close your eyes, follow the sound and unite to become complete with his music ……The  concert’s climax is finally  reached when Montomoli dedicates his interpretation of Albèniz. The audience is captured unexpectedly by the marvelous sonorous imprints inspired by  Spanish folklore and Montomoli himself seems to be completely drawn in playing with passion and deep ardor…..” Asturias”  perfectly performed and with such a pace  to take your breath away, becomes a 6 strings trick act. The audience wants more. And receives 3 encores from the  poetic and virtuous.”
Barbara Nolten-Casado  “Rhein-Neckar-Zeitung” (Germany)